Today is Saturday which means that yesterday was Funky Friday!
So far we have looked at music and what choreography means to me. Today we will take one step away from my personal affiliation and dive more into the stone cold facts. Let’s take up music one more time..
So let’s say you’ve done the grueling task of finding your music. That’s checked off your list; vital part number one is done. So now what..? Well, it’s time to create! And depending on how you wish to perform your piece there are various ways of setting forth…
1. You are choreographing a solo for yourself. You must know the choreography, no one else matters.
2. You are choreographing for others
OK so choreographing for yourself doesn’t take much more than your brain and great memory, and maybe some pens and paper to help you out. You decide how it should be and can adjust your moves accordingly. No one will be around to contradict or criticize – you are your own boss.
But most choreographers don’t work that way. Most choreographers wish to create for the masses, i.e. get amazing dancers to learn the routine and dance, dance, dance the night away in front of thousands and thousands of people. They want their name known, not so much as a dancer, but more as a choreographer! I am different that way, I’d rather do both, create and perform, but that’s just cause I MUST be in the spotlight… which we will deal with another time…;)
Let’s assume you are trying to choreograph for others. Your students must be able to understand and translate your vision into their own moves and display what you want to see to the pointe (tihiii 🙂 )
You shrug and think that’s simple, cause all you have to do is stand in front and show them what to do, right? Well maybe you’re right, but in my experience it is tough! I don’t think that’s just me…
I’ve been told that I’m a total fuzzle head. My brain goes haywire when it comes to dance-creating and I’m always 5 steps ahead rather than being at the actual move. That’s not very productive when trying to explain what my choreography is. So working with me is..well..difficult.
Oozing with ideas which is technically good, can easily backfire. These random thoughts don’t always go down well with normal human beings. Somehow they are unable to understand the craziness of what is also known as my brain. When they don’t get what I want and they aren’t performing what I had envisioned I get frustrated. Painstakingly so..
..meltdowns might happen..
Impatience and unorganized thoughts do not go together, so in my experience of my previous choreographic conundrums, I have learned some vital old-man wisdom: write down your thoughts and organize them before even considering to teach other people. Sure, if you get a spontaneous idea during a class, be my guest and incorporate it into the existing choreography. Just make sure the base of the choreography is well prepared and ORGANISED! Don’t keep wanting more and more and more, the others don’t have that wide an attention span to take in all your creative info..
Exactly how to organise your thoughts we will look at next time 🙂 Until then,
With attitude and nail polish, Anoushé xoxo